Border Country – touring art exhibition

‘Finiau: Four painters in Raymond Williams’ Border Country’


An art exhibition curated by Peter Wakelin in order to honour Raymond Williams’ 1960 novel Border Country is currently on tour. Featuring the work of four of Williams’ contemporaries (Joan Baker, Charles Burton, John Elwyn, and Bert Isaac), the exhibition recently featured at the 2016 National Eisteddfod in Abergavenny. It has since been to Wrexham and will also be held in Machynlleth and Chepstow.

‘Finiau: Four painters in Raymond Williams’ Border Country’ will be at MOMA Machynlleth (17 September-19 November) and will then move on to Chepstow Museum (26 November-26 February).

A 64-page booklet by Peter Wakelin is available at the exhibitions or from Art Works of Abergavenny, price £7.50 including postage:

For more information:

Raymond Williams: Popular Music and Subculture – conference report (10/6/16)

As a response to the significant revival of interest in the diverse legacy of Raymond Williams, this day conference sought to consider productive but little explored connections between Williams and the study of subcultures, popular music and social change.

A lively and productive day, with 31 attendees and 9 speakers, the event at Friends’ Meeting House in central Manchester was attended by a mixture of academics, students and cultural producers. There was also a representative of Social Science Centre Manchester, a new initiative that aims to provide free, co-operative higher education evening classes open to all.


RWS report
Speakers (L to R) – Rhian E. Jones, Pete Dale (chairing), David Wilkinson and Steve Hanson.

Continue reading Raymond Williams: Popular Music and Subculture – conference report (10/6/16)

Post(?)-Conflict: Images from Northern Ireland, 2012-2016

1-16 July 2016, The Cornerstone Gallery, Liverpool

The description of Northern Ireland as a ‘post-conflict’ society has to be treated with scepticism. For while there is no sustained, high-level campaign of armed conflict of the sort witnessed between 1969-1996, the place remains riven by fundamental forms of division and antagonism – sectarian, social, historical, political and psychic. The photographs displayed in this exhibition, taken between 2012-2016, focus on the ways in which the representation of symbolic, cultural and physical conflict plays a role in everyday life.

2nd class citizens

The photographs in the exhibition are part of a collection of more than 20,000 images, mostly of murals, dating from 1979. Approximately 4,500 photographs are available in a fully searchable and downloadable historical archive hosted by the Claremont Colleges Digital Library:

Tony Crowley was born and brought up in Liverpool. He is Professor of English at the University of Leeds ( and has taught in a number of universities in the United States and the United Kingdom.

British Communism and Commitment

peoples-history-museum-manchester-c2a9-zedphoto-comThe ‘British Communism and Commitment’ day-school was held on 9th June 2016 in the Labour History Archive and Study Centre at the People’s History Museum, Manchester, part of the AHRC-funded project ‘Wars of Position: Communism and Civil Society.’

It brought together former party activists and researchers from a wide range of academic disciplines to analyse the complexities of commitment in the British Communist Party over its seventy-year history (1920-1991). The day-school also marked the opening to researchers of new CPGB-related archive material, including the papers of Monty Johnstone (1928-2007).


Please direct any questions to Ben Harker at

Postgraduate essay prize

DIGITAL CAMERAThe Raymond Williams Society welcomes submissions to its essay competition – The Simon Dentith Memorial Prize – of work founded in the tradition of cultural materialism.

The aim of the prize is to encourage a new generation of scholars in this area, especially those grounded in discourses and approaches arising from the work of Raymond Williams.

The closing date is 3 June 2016.

Further details and instructions.