The Raymond Williams Society postgraduate essay competition for work grounded in the tradition of cultural materialism is named in honour of our late and much-missed colleague, Simon Dentith (1952-2014), former editor of Key Words and prize judge.
The 2019 competition, our eighth, has been won by Charlie Pullen (Queen Mary University of London) with the essay ‘”Childish Things”: Marion Richardson, Modernism, and the Teaching of Creativity’.
Charlie receives £100 and a year’s subscription to the Society. The essay will be published in Key Words (subject to peer review) in 2021.
The competition aims to encourage a new generation of scholars working in the tradition of cultural materialism, especially those whose research is rooted in the work of Raymond Williams. Details of the 2020 competition will be announced shortly.
All enquiries to prize coordinator Dr Emily Cuming: firstname.lastname@example.org
2018: Matti Ron (University of East Anglia), ‘An uneasy avant-garde: the politics of formal experimentation in 1930s working-class fiction’.
2017: Ryan David Furlong (University of Iowa), ‘”White Slaves” as “Black Slaves”: Re-evaluating the 19th c. Working-Class Autobiography within the (Con)texts of Transatlantic Abolitionism’.
2016: Laura McCormick Kilbride (University of Cambridge), ‘The New Catholic Left: Language, Liturgy and Literature in Slant Magazine, 1964-1970’
2015: Owen Holland (University of Cambridge), ‘From the Place Vendome to Trafalgar Square: Imperialism and Counter-Hegemony in the 1880s Romance Revival’
2013: Jennifer Morgan (University of Salford), ‘Uses of Shelley in Working-Class Culture’
2012: Chris Witter (Lancaster University) ‘Grace Paley and the Tenement Pastoral’
2010: Simon Machin (Roehampton University), ‘Why, comrade?: Raymond Williams, Orwell and Structure of Feeling in Boys’ Story Papers’