The July instalment of the Raymond Williams Society blog is an article by University of Reading student Jess Brisley who shares recent research conducted in the archives of Chatto & Windus. Intriguingly, Williams had a long relationship with the publishing house, having his novels Border Country (1960), Second Generation (1964), and The Fight for Manod (1979) published by Chatto (alongside other fictional as well as critical work). In Politics and Letters, he discusses both the challenges faced when encountering the ‘economics of commercial publishing’ and the sense in which he was ‘writing right against the grain’. Here, by examining papers from 1890 to 1940, Jess fascinatingly uncovers an earlier generation of working-class writers who faced innumerable difficulties when it came to publishing stories of working-class life in the early twentieth century.
Jess Brisley writes…
Raymond Williams had long-running concerns about the relationship between publishing and class. His work offers a compelling way of analysing the structures of publishing, taking into account the means of communication as part of the means of production as well as the social background of authors and the inherent challenges for working-class writers in adapting to the literary form of the novel. At the University of Reading, we are working in the Archive of British Publishing and Printing to uncover the lost history of working-class writing. Studying the records of publishing house Chatto & Windus – including manuscript entry books, letters, and reader’s reports – and analysing the hefty lists of rejected material between 1890 and 1940, I was able to compile a database of instances where class prejudice seemed to be visible in a rejection.
Continue reading Publishing Class: Rediscovering the Lives of the Working Class in Literature


